Spent yesterday at the arts cinema here and saw The Imposter and Take This Waltz.
Everyone needs to see The Imposter, stat. Really gripping documentary, really well told. I'm giving you no details, but it's a twisty turny, stranger than fiction tale that has the same kind of ambiguity as something like Capturing the Friedmans when it's done. I'd wager there are arguments raging in cafes right now over what people think the truth is.
Take This Waltz is a bit more of an acquired taste. It's wilfully quirky, but once you get past the first twenty minutes or so and settle into its rhythm, there's a lot to love here. Michelle Williams once again proves that she's the real deal and is often absolutely adorable. Seth Rogen is solid and isn't playing a complete jerk or a stoner, though he is riffing on his laidback persona. There is a dramatic sequence late in the film that he's not quite up to, but he doesn't scupper the film. I'd say overall, it's very much recommended with the proviso that it's not for everyone. Beautifully shot in really clean, warm colours too. Sarah Polley has a very sure hand for subtlety.
Everyone needs to see The Imposter, stat. Really gripping documentary, really well told. I'm giving you no details, but it's a twisty turny, stranger than fiction tale that has the same kind of ambiguity as something like Capturing the Friedmans when it's done. I'd wager there are arguments raging in cafes right now over what people think the truth is.
Take This Waltz is a bit more of an acquired taste. It's wilfully quirky, but once you get past the first twenty minutes or so and settle into its rhythm, there's a lot to love here. Michelle Williams once again proves that she's the real deal and is often absolutely adorable. Seth Rogen is solid and isn't playing a complete jerk or a stoner, though he is riffing on his laidback persona. There is a dramatic sequence late in the film that he's not quite up to, but he doesn't scupper the film. I'd say overall, it's very much recommended with the proviso that it's not for everyone. Beautifully shot in really clean, warm colours too. Sarah Polley has a very sure hand for subtlety.
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