There is no way to view this without a certain amount of bias in terms of Neeson's character, even the smallest amount of sympathy is cast in his direction, both in character and in simply being Liam Neeson in a film portraying a character who shares a similar tragic background. Sure, this is just an obvious aspect to cast ones eyes upon, but it nonetheless is there, and the rawness of several moments is made all the more real for the viewer who admits to being a casual voyeur to celebrity.
There is some incredibly graphic, shocking stuff that waylays the audience through the running time, and it just gets worse as the numbers of survivors dwindle. The confluence of bleak setting, protagonist, and situation create a climate in which one roots for the characters, against better judgment and the obvious end of line that awaits each of the living.
The hallucinatory last moments of several characters as well as Neeson's "call to god" moment were, I felt, unnecessary and distracted from the tale being told (the viewer already empathizes with these people, why be cheap about it when you've shown no quarter up to this point? Huh, Joey?). Not to get into some sort of theological debate or anything, just that if these occurences were excised, the film would be largely the same in tone and intent.
Anyway, I really enjoyed it.
Last edited by Captain Russ; 02-25-2012, 05:46 PM.
Also in in televised interviews, both Dermont and Liam were misinformed and specifically said there was no cgi involved with the wolves, just puppetry and actual wolves. Which is completely untrue. It didn't ruin it for me but I was looking forward to the challenge.
Watched Drive over the weekend. Wasn't bad and wasn't OMG. The greatest part of the movie is the fact they made Albert Brooks scary and the worst part of the flick was Ron Pearlman and his track suits.
"Looking like Nic Cage dressed in Kurt Cobain's closet. I mean that as a compliment" - BillyG
"Too cunty for wine bars, too dainty for real bars." - Anderson
Originally posted by Theodore StabbingtonView Post
Watched Drive over the weekend. Wasn't bad and wasn't OMG. The greatest part of the movie is the fact they made Albert Brooks scary and the worst part of the flick was Ron Pearlman and his track suits.
Thank you. I agree, it was GOOD...it frankly needed one or two more driving sequences in it. Brooks absolutely got robbed on an Oscar nomination.
Originally posted by Martin
Who the fuck is Kellan Lutz?
Originally posted by gravedigger
Basically what I'm saying is that, based on what I've watched so far, we should all listen to Matt more often.
Originally posted by Martin
And who the FUCK is Peaches Geldof?
Kellan Lutz's girlfriend?
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