Prometheus and ALL OTHER NEW ALIEN/PREDATOR SPOILERS

[Martin]

And here's one of the main problem I have with the movie: it's barely holds up as a stand alone. It does, but it's shaky. It's gonna have to be a reverse Matrix and be awesome next time.

[Matt]

Like Martin, i want a sequel. The plot holes and unanswered questions are, for the most part, fixable in a sequel (an explanation can be applied) and I'd really like to see how Shaw and David end up. The foundation for future entries is shaky but can be buttressed.

[Martin]

And he's right (beside the point I adressed), cause it's all the problems of the script. But if you can't overlook that, so be it.

[Matt]

Gotta agree on pretty much everything that BMichael said, but i also have ro admit to enjoying the experience overall. It visually satisfied me enough to counteract the script failures.

[Martin]

I think you're right Martin. My expectations were way too high.

For instance, I expected:

• A coherent plot
• Unified theme
• Characters that are well defined and consistent
• Answers to questions the movie itself poses

Perhaps my expectations were too high. I'm open to that. I mean, it's probably just me that I'm completely disappointed in the fact that a director like Ridley turned in a film that approaches Michael Bay/Transformers levels of stupidity.


Not very good? Not VERY GOOD? Jesus man, what film did you see? Calling the Prometheus script not very good is like saying Kat Dennings has okay breasts.

The script was a fucking disaster. I can't think of one major story beat that didn't have something wrong with it. In fact, the entire set up is fucking nonsensical and falls apart the minute you analyze it.

To wit: if these maps were an invitation, why are we being sent to a weapons manufacturing plant (assuming that's what it is, and I have my doubts, and even if it is that, how the fuck did Captain Sexual Chocolate suss that out?)? That's like us telling a native tribe somewhere in the Amazon to drop in on us at a local Lockheed-Martin facility.

If the maps weren't an friendly invitation, why go through the trouble at all? They're an advanced race -- they'd have to know that not many people would get to that planet and get killed before us humans figured out that it's a bad idea to go there.

Furthermore, why would a clear thinking android like David introduce an unstable element like an alien contagion into the crew? That makes no sense at all. And how exactly does this contagion work that it can impregnate Noomi?

And why was Noomi impregnated at all? From a story perspective, it's not necessary and is basically ignored until the very end of the film.

Which reminds me, why the fuck does Sexy Anthropologist Guy get all butt hurt when he runs into a long dead culture. HE'S A FUCKING ANTHROPOLOGIST! THAT'S ALL THEY FUCKING DO! STUDY LONG DEAD FUCKING CULTURES. I can see being disappointed, but he's studying PROBABLY THE MOST SIGNIFICANT DISCOVERY IN HUMAN FUCKING HISTORY! Seriously! It makes no goddamn sense.

And speaking of making no goddamn sense, you're asking me to buy the fact that a scientist -- who fucking invented a probe that remotely maps an area -- gets lost trying to leave the "pyramid?" (That's another thing: it's not a fucking pyramid guys -- it's a fucking dome!) Or that his buddy -- who's clearly terrified of meeting an alien lifeform -- turns around five minutes later and wants to play in the Engineers Super Happy Snake Petting Zoo?

This movie makes no goddamn sense on any level. Dismissing these issues (and there are a lot more) is indicative of very low standards.
I mean, you do realize that a film is a visual story, right? So, the script has to be, oh, like, semi-important.

I don't care if there are plot holes, typically. But they can't be egregious and insulting. Bladerunner has several, but I overlook them because the rest of that film is so good and they're not outrageous. Prometheus looks good, but everything else is crap.

Fassbender is decent, I guess. But the rest -- feh.

Scott blew it here.

Yes yes yes. The script sucked. We all know that. So the rest of the movie sucked as well? No. Not at all. I can still find interresting stuff in suck a movie with a bad script. There's a lot of great onscreen.

And why was Noomi impregnated at all?

Duh. Testing. Wayland probably didn't know what would happen, but attempted to control the results by cryo.

Fassbender is "decent". You're joking, right? So Rapace and Theron sucked? Get a grip.

The cake sucked for you, congrats. Did Ridely Scott assfucked your mother to death to lose that much perspective?

[BMichaelKrol]

Pretty much like me Matt. But goddamn, did the script SUCKED. Will there be a sequel?

"This cake sucks. Can I have more?"

[BMichaelKrol]

Saw it.

Not great, but definitely not bad.
You can't call it "horrible". Sorry, your hyperbole won't pass.

It's not Alien, but calling it poop makes you sounds retarded. Sure, lots of plotholes, but people here were (maybe rightfully) expecting Alien-quality sci-fi. As a sci-fi movie without the Alien pedigree: a good movie. You have to seperate criticism from expectations.

I think you're right Martin. My expectations were way too high.

For instance, I expected:

• A coherent plot
• Unified theme
• Characters that are well defined and consistent
• Answers to questions the movie itself poses

Perhaps my expectations were too high. I'm open to that. I mean, it's probably just me that I'm completely disappointed in the fact that a director like Ridley turned in a film that approaches Michael Bay/Transformers levels of stupidity.

Story-wise, it's not very good, but it's Scott, so it's beautiful, and well shot. The script... damn... Lindehof made another Lost: barely makes sense.

Not very good? Not VERY GOOD? Jesus man, what film did you see? Calling the Prometheus script not very good is like saying Kat Dennings has okay breasts.

The script was a fucking disaster. I can't think of one major story beat that didn't have something wrong with it. In fact, the entire set up is fucking nonsensical and falls apart the minute you analyze it.

To wit: if these maps were an invitation, why are we being sent to a weapons manufacturing plant (assuming that's what it is, and I have my doubts, and even if it is that, how the fuck did Captain Sexual Chocolate suss that out?)? That's like us telling a native tribe somewhere in the Amazon to drop in on us at a local Lockheed-Martin facility.

If the maps weren't an friendly invitation, why go through the trouble at all? They're an advanced race -- they'd have to know that not many people would get to that planet and get killed before us humans figured out that it's a bad idea to go there.

Furthermore, why would a clear thinking android like David introduce an unstable element like an alien contagion into the crew? That makes no sense at all. And how exactly does this contagion work that it can impregnate Noomi?

And why was Noomi impregnated at all? From a story perspective, it's not necessary and is basically ignored until the very end of the film.

Which reminds me, why the fuck does Sexy Anthropologist Guy get all butt hurt when he runs into a long dead culture. HE'S A FUCKING ANTHROPOLOGIST! THAT'S ALL THEY FUCKING DO! STUDY LONG DEAD FUCKING CULTURES. I can see being disappointed, but he's studying PROBABLY THE MOST SIGNIFICANT DISCOVERY IN HUMAN FUCKING HISTORY! Seriously! It makes no goddamn sense.

And speaking of making no goddamn sense, you're asking me to buy the fact that a scientist -- who fucking invented a probe that remotely maps an area -- gets lost trying to leave the "pyramid?" (That's another thing: it's not a fucking pyramid guys -- it's a fucking dome!) Or that his buddy -- who's clearly terrified of meeting an alien lifeform -- turns around five minutes later and wants to play in the Engineers Super Happy Snake Petting Zoo?

This movie makes no goddamn sense on any level. Dismissing these issues (and there are a lot more) is indicative of very low standards.
I mean, you do realize that a film is a visual story, right? So, the script has to be, oh, like, semi-important.

I don't care if there are plot holes, typically. But they can't be egregious and insulting. Bladerunner has several, but I overlook them because the rest of that film is so good and they're not outrageous. Prometheus looks good, but everything else is crap.

Fassbender is decent, I guess. But the rest -- feh.

Scott blew it here.

[Martin]

I'd give it a 10 for visuals, an 8 for concept and overall story, a 9 for acting, and a 3 for script. That averages to a 7.5, which I'm comfortable with.

Pretty much like me Matt. But goddamn, did the script SUCKED. Will there be a sequel?

[BillyG]

New Penny Arcade made me laugh, and I haven't seen the movie yet.

[Matt]

I'd give it a 10 for visuals, an 8 for concept and overall story, a 9 for acting, and a 3 for script. That averages to a 7.5, which I'm comfortable with.

[Martin]

Oh they are shitty scientists there's no denying that. And had dumb moments, but overall, I had fun with it. In no way TERRIBLE!!!!! like Bobby and whoever else stated. I could lower my note to 6.5/10 or a 6, but no less. There was still a lot of craft at work there.

[Ben Thomas]

As we've all stressed, expectations don't change the fact that these characters are some of the worst scientists in the universe, doing dumb things JUST to move the film forward. Whatever the film gets right, that scuppers the whole affair for me. It's DTV horror movie behaviour.

It's a 4/10 for me.

[Martin]

Saw it.

Not great, but definitely not bad.
You can't call it "horrible". Sorry, your hyperbole won't pass.

It's not Alien, but calling it poop makes you sounds retarded. Sure, lots of plotholes, but people here were (maybe rightfully) expecting Alien-quality sci-fi. As a sci-fi movie without the Alien pedigree: a good movie. You have to seperate criticism from expectations.

Story-wise, it's not very good, but it's Scott, so it's beautiful, and well shot. The script... damn... Lindehof made another Lost: barely makes sense.

Still, this is a theater movie. A 7/10.

[Anderson]

Mmmmm, I hear what you're saying and I'm certainly not gonna outright defend the man's entire body of work, but three films disagree with you.

Alien

Blade Runner, and (I'll say it)

Gladiator

Those films are remembered for much more than just being pretty. Each has a good, if pulpy script, turned into something magnificent thanks to excellent casting and memorable performances. Any faults in these three films are wholly down to interference (Blade Runner), budget (Alien, Gladiator) or cast death (Olly Reed).

Alien's script was done and locked before Scott was even a consideration. So, that's kind of an oddity in the situation.

Blade Runner's script has issues to the point that they created memorable errors.

Gladiator was repolished so much before Scott even laid a finger on the page to read and shoot.

It's not a bad thing, but it's just indicative of an older type of director.

[Matt]

I personally consider BLACK RAIN to be his best directorial effort in terms of directing ACTORS and focusing on the story over the visuals. It's still very stylish and strong visually, but it doesn't distract from the story itself.